DURKHEIM’S USE OF THE TERM CULTURE
DURKHEIM’S USE OF THE TERM CULTURE
DURKHEIM’S USE OF THE TERM CULTURE
THE REPRESENTATION OF HONG KONG AS A SUBJECT OF NOSTALGIA IN THE KAR-WAI’S TRILOGY
MANIPULATIONS MÉDIATIQUES DANS LA SPHÈRE ESTHÉTIQUE CONTEMPORAINE
THE CYBORG CONTINUUM FROM MYTH TO TECHNOCAPITALISM IN LARISSA LAI’S SALT FISH GIRL
CULTURE, CLASS AND COUNTERFEIT GENEALOGIES IN ANGELA CARTER’S WISE CHILDREN
WHAT APPEARS IS NOT WHAT IS: JEANETTE WINTERSON’S ART & LIES AND THE PASSION
(DE)FALSIFICATION OF SCOTTISH HISTORY IN JOHN MCGRATH’S THE CHEVIOT, THE STAG AND THE BLACK, BLACK OIL
CONTEMPORARY FICTION IN FUNNY COSTUMES: CROSS-DRESSING IN THE NOVELS OF SARAH WATERS
ART ATTACK – CURATING VIOLENCE IN ART
ZADIE SMITH’S IRONIC NARRATOR: THE MANY TRUTHS OF MULTICULTURALISM
Address: Rige od Fere 4, Beograd
Phone: +381 11 2637 565
Fax: +381 11 2638 941
Еmail: info@zaprokul.org.rs
