Journal No.125 / 2009 Decoding Image

Decoding Image

Alen Mik
BENJAMIN, THE TELEVISUAL AND THE FASCISTIC SUBJECT

Reviews

Александра Ђуричић
AN IMAGE FROM POMPEI
Bojana Videkanić
POSTIDENTITY AND THE AESTHETICS OF AFFECT IN THE WORK OF TANJA OSTOJIĆ
Bojana Romić
WIKIPEDIA AND THE PROBLEM OF ELECTRONIC AGORA

Critiques

Валтер Абел
TOWARDS A UNIQUE FIELD IN AESTHETICS

Studies

Владимир Кривошејев
RESEARCH OF BUDGET FINANCING OF CULTURE IN THE CITIES OF SERBIA
Iva Jestratijević
VISUAL SEDUCTION: EROTICISM IN FASHION PHOTOGRAPHY
Јадранка Божић
RISOMATIC BRANCHING OUT AND GROWING TOGETHER
Jelena Matić
PHOTOGRAPHY IN THE “SOCIETY OF NET”
Jovana Dukić
TRUTH AND/OR IDENTITIES
Марина Матић
BEGINNINGS OF POPULAR CULTURE
Миланка Тодић
DECODING IMAGE – INTRODUCTION
Миља Вуковић
THE LADY AND THE UNICORN IN ELECTRONIC FORMAT
Нада Торлак
ABUSE OF WOMEN IN TELEVISION AND EXTERNAL ADVERTISEMENT
Pavle Levi
CINEMA/FANTASY
Predrag Terzić
VISIBILITIES OF IMAGES
Svetlana Marković
AVANT-GARDE EROTIC PHOTOGRAPHY
Slavica Radišić
“OTAKU” SUBCULTURE
Татјана Дадић Динуловић
A HOUSE AS A SCREEN: TRANSFORMATIONS OF MEDIA FUNCTION IN CONTEMPORARY ARCHITECUTRE
Тијана Ђуричић
BILLBORD AS AN INSTRUMENT OF THE URBAN SPECTACLE

Journal No. 125 / 2009

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