/ 1968

THE RADICAL PARTY CONCEPT FOR VOJVODINA`S UNIFICATION WITH SERBIA IN 1918

When the World War I broke out, the Radical Party ceased operating along with all other Serbian organizations in Austria-Hungary. Its leaders spent the subsequent war years in the internment. The above mentioned Radicals reactivated during a rather tumultuous autumn in 1918. The Radicals from Srem, led by Žarko Miladinović, started their cooperation with the National Council from Zagreb. Their main activities were to protect the Serbian national interests and to demand an unconditional unification with Serbia. The Radical leaders from Bačka, Baranja and Banat headed by Jaša Tomić were very cautious in their public appearances because they were not sure of the future of the Hungarian borders. It was not until the beginning of November that the Serbian National Board was formed. A number of such bodies were formed in many places all over Vojvodina. The culmination of these activities was the Great National Assembly held in Novi Sad on November 25th. Due to the Radicals and Jaša Tomić especially, a decision to annex Bačka, Baranja and Banat to Serbia was made in this Assembly: they decided to join them directly to Serbia and not through the National Council in Zagreb, which was the other alternative. A day before the above mentioned event, representatives of the National Council from Srem also expressed their support to a direct unification with Serbia at their meeting held in Ruma.

/ 1968

IN MEMORIAM – MIRA BILJETINA

/ 1968

VIOLENCE CENSORSHIP IN CLASSIC HOLYWOOD

This paper represents moral standards of a historical period which took away freedom of speech from film. Social control was very suspicious about film and its power to negatively influence children and week persons. American law, in first half of the twentieth century, regarded film is not a media of symbolic communication but of reproducing real events. Because of repressive censorship classical Hollywood film directors searched ways for non explicit representation of violence. These efforts created non explicit aesthetics of film violence which is very important for understanding representation of violence in New and postmodern Hollywood.

/ 1968

CULTURAL POLICY IN THEORY

Ce texte présente la définition de la politique culturelle et l’histoire bref du traitement de la culture systématique et organisé. Une attention important est accordée aux différentes méthodes du traitement de la politique culturelle. A cet effet un instrument analytique a été construit pour classifier les perspectives théoriques possibles. La deuxième partie du texte traite les rendements des interventions dans le domaine de la culture, les perspectives du développement culturel ainsi que les nouveaux défis pour les protagonistes de la politique culturelle, mais aussi pour les théoriciens qui s’en occupent.

/ 1968

INTRODUCTION – FOOD: INTERPRETATIONS AND INNOVATIONS

/ 1968

L’ HABITUS ET L’ESPACE DES STYLES DE VIE

/ 1968

THE HIGH AND THE LOW: CULINARY CULTURE IN ASIA AND EUROPE

/ 1968

TABLE MANNERS IN BELGRADE