BOOKS AND PERMANENT EDUCATION IN FRANCE
/in Themes /by Kcs21blAASPECTACLE IN THE CLASSROOM
/in Cultures of Rhythms and Spectacle /by Kcs21blAAThe paper examines the relationship of the spectacle and information technology in a specific field of culture – in the field of education. Which shows that the spectacle is in new technological conditions in culture, also institutionally accepted as a motivational factor in the development of the individual.
ART AND TECHNOLOGY
/in Themes /by Kcs21blAAIn this paper we will deal with those theoretical aspects that shed light on the essential relationship between technology and art. This study gains importance especially today, when we witness a widespread and unstoppable acceleration of the technological progress, especially in the domain of high technologies, where the art as part of the cultural system becomes affected by the omnipresent technological euphoria. However, as we shall see in this paper, strong conceptual connections between art and technology as social activities, have existed long before the technology boom in the second half of the 20th century. Therefore, the aim of this paper is to point to the essential fact that the technology and art have always shared and still share the same fate of civilizational and human development in a specific form of partnership.
MEDIA, CULTURE GLOBALIZATION AND IDENTITY PRESERVATION
/in Studies /by Kcs21blAAToday, globalized media are not only means of transportation which transfer culture from one part of the world to the other, but first of all they are instruments by which few so called „global players“ – owners try to achieve cultural and information hegemony. To these big players in Serbia, from different reasons, are added numerous small or bigger media owners who uncritically follow the imposed behavioral patterns and practice. In this paper the author presents the part of his extensive empirical research entitled „The international influence of political elite, new owners, editors and journalists and their reflection on the social changes in Serbia at the begining of the 21st century“ describing the consequences of Serbian globalized media influence on culture and ethnic identity. The need of more active role of journalists in these hard, transitional, times is specially pointed out.
CREATIVE ECONOMY, GLOBALIZATION AND CREATIVE CITY
/in Creative Sector - Outlines of a New Model of Development /by Kcs21blAAThe paper deals with the issue of urban development i.e.economic growth of cities from the perspective of cultural development and creativity market. In relation to that, the article considers different approaches and definitions of creativity, models and concepts of creative cities, especially from the position of town and spatial planning. The American and European continental development concepts of urban creativity are opposed. The main part of the article refers to the analysis of legislation and sub-legal acts and regulations that disable adoption, affirmation and application of the concepts of creative cities in Serbia, especially in practice. The author observes this problem in the field of public policies – as a continuity of disputes within public policies of a country in transition – a collision relation in the sphere of public and private interests and proposes a partnership of the two sectors as a possible solution to this problem.
JOURNALISM OR PR – ILLUSION OR REALITY
/in Themes /by Kcs21blAAIf journalism once opened the “windows to the world”, today we may say that the view through them is getting blurred. The increasing numbers and sizes of these windows rise suspicion about the truthfulness of the reality presented. In this work, the authors have analyzed the contents of high circulation and influential daily papers in Serbia pointing to their importance in creation of political culture. A clearly observed trend indicates to the increasing influence of political parties, tycoons, advertisers, whereas the interests of workers, minority groups or political opposition are marginalized. The crises of domestic press is often getting justified by consequences of global economy failure or explosive impact of the Internet, while the losing of credibility or professional standards are rarely even mentioned! Newspapers in Serbia are inordinately covered by golden dust of PR teams and agencies, mediating reality in which politicians and the show business stars offer simple patterns of success, concepts of eternal leadership and wealth within easy reach. Fewer employees in editorial offices and shorter information production periods leave an empty space readily and aggressively snatched by PR experts, spin masters and lobbyists who place contents inclining to more and more aggressive clientelism. In these harsh market approach conditions, journalism also obscurely changes, reminding more and more of a propaganda leaflet or billboards of political mentors, very well hidden tycoons or marketing monopolists. The variable nature of the truth contained in different interpretations of recipients, among ideologically and culturally different readers, leads to desertion of the principles of journalist profession and entering into the sphere of info-entertainment where news does not have the character of public goods but of ordinary goods owned by the richest and the most powerful individuals!
ILLUSIONS OF PLURALISM IN GLOBAL “MASS-MEDIA CAVES
/in Screen Culture /by Kcs21blAAАко је у античком полису Платона бринуло то што се грађани самодовољно ослањају на сопствена уверења о врлинама, не трагајући за знањем, данашњег житеља глобалног псеудополиса опчињавају симулиране информације, слике и уверења која незамисливим бујањем креирају друштвену свест. У сенци масмедијских пећина уочавају се обриси трансформисане демократије, која је све изложенија силовитим налетима мегакорпоративних интереса, доминантних геополитичких утицаја, културног детерминизма и редефинисаног верског фундаментализма. Усамљеном појединцу на “агори” све је теже да формира и сачува сопствено мишљење, идеје и вредности, јер набусита, осиона и конфекцијски униформисана армија технолошки перфектних комуникационих алатки, производећи заглушујући хук бајке о равноправности, миру и мултикултурализму, прикрива све чешће сукобе култура и цивилизација. Програмски типизираном друштву као да недостаје потреба за унутрашњим критичким преиспитивањем, јер живећи усред плиме долазећих и одлазећих комуникационих порука, визија новог поретка се “спинује”. Инфопростор је покривен глобалном мрежом информација и података, док чин размене симболичких садржаја од човека преузимају машине! Уместо ренесансе идеја нуди се ренесанса технологија, коју вешти управљачи глобалним кормилом користе за усмеравање Светске барке ка хридинама нечега што би се могло назвати псеудополисом. Слобода изражавања медија је кисеоник отвореног, јавног комуницирања, стуб демократских гра|евина, али проблем је у чињеници што чувари информационих капија и даље стражаре, овога пута пред “сајбер” просторима. Историја је показала да се у сличним процесима увек знају имена губитника, док се за оним другима увек дуже трага и мање зна.
Contact
Address: Rige od Fere 4, Beograd
Phone: +381 11 2637 565
Fax: +381 11 2638 941
Еmail: info@zaprokul.org.rs
