/ 1968

INFLUENCE OF PUBLIC POLICIES ON THE CULTURAL EXPRESSIONS OF YUGOSLAVISM

With its insight into the political, sociological and cultural discourse of the Yugoslav praxis, this research has an objective to show how management of the cultural productions in the function of an ideological apparatus has depended on actual public and cultural policies. An analysis of the interconnection and “flow over” of the public policy, its organizational instigators and the symbolic equivalent of transposing the political reality through cultural productions/rallies will discover the similarities and differences in the concepts of managing ideological projects in different historic periods in Yugoslavia. The purpose of this research process (involving an empirical method of case study on the example of cultural festivity/rallies in the period of existence of both Yugoslavia states) is to describe the existing forms and methods of organizing state scenic spectacles i.e. to describe the general understanding of the phenomena and the levels of management of cultural productions in the function of public policies.

/ 1968

A NEW PERSPECTIVE: MULTIPLES

/ 1968

THEATRES IN NORWAY

/ 1968

A REGIONAL ATLAS OF CULTURAL LIFE IN FRANCE

/ 1968

BOGDAN BOGDANOVIĆ: URBAN MYTHOLOGEMAS

/ 1968

W. WHYTE: THE ORGANIZATION MAN

/ 1968

DR M. ILIĆ: SOCIOLOGY OF CULTURE AND ARTS

/ 1968

VLADIMIR FILIPOVIĆ: RECENT WESTERN PHILOSOPHY

/ 1968

FOREIGN WRITERS: A LITERARY LEXICON