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Starting from intertwining relations of the two media – photography and literature – this article is an attempt at describing how ubiquitous processes of media globalization actually reflect on some esthtetic facts. The thesis is supported by analysis of three narratives from recent Croatian literature: O biografiji (1987) by Irena Vrkljan, Krhotine (1991) by Željka Čorak and Muzej bezuvjetne predaje (1997) by Dubravka Ugrešić.