/ 1968

ART AND PHILOSOPHY

/ 1968

OPEN UNIVERSITY

/ 1968

TARZAN AND JAMES BOND

This text encaptures in detail the way all important ethical media moments in the MGM Tarzan series with Johnny Weissmuller and their subliminal deep religious context go along with all sensational neck breaking relationships of Ian Flaming’s secret Brit agit prop MI6 agent 007 had on the screen with numerous woman. By comparing 007 post modern Inteligence Service myth to imperialistic recidive myth of white man in charge of black Africa Tarzan – exotic and erotic hero role model of earlier 30’s crisis era – we see a completely changed and sexistic attitude to woman of 60’s and beyond. Almost in every film from the first two decades Bond kills, hits or almost joyfully rapes his girl friends and they seem to just adore it making it endlessly interesting sado-mazo subject for female studies media dealing with ethics. However, a deeper analysis shows us Bond just as a sad clown in Roger Moore’s film „Octopussy“, clumsy when he ought to be in aid of his real loved ones. Bond would obviously be much happier to be in Tarzans shoesless shoes as Lord of the jungle and servant to his own wife than as a mere servant to her Mayesty’s secret service.

/ 1968

TELEVISION AND FILM IN THE MODERN-DAY SOCIETY

/ 1968

YUGOSLAV MUSICAL LIFE

/ 1968

FROM PRAY TO HUNTER

/ 1968

THE LAST YEARS OF GYÖRGY LUKÁCS

/ 1968

CROATIAN JOURNALISM OF TRANSITION: THE TEST OF MATURITY AT THE BEGINNINGS OF THE DIGITAL AGE

The journalistic profession may find itself faced with a new challenge at the beginning of the digital age. During the last two decades, since the establishment of the Republic of Croatia and the beginning of the process of transition, journalism has significantly affected the sociopolitical context, but has also itself been formed by the political and social circumstances. The elements that primarily effect the process of the transition of profession are media policy, market conditions, the legislative model of public service, self-regulation, safety of journalists, education of journalists, civil society and the availability of new technologies. This paper, in the context of those parameters, views Croatian transition journalism through four chronological phases of development: journalism of the authoritarian presidential state and non-consolidated democracy, journalism under the optimism of the rise of civil society, journalism of market dictatorship and the corporative media industry and journalism of digital culture. Each phase meant progress in the development of democratic standards and freedom of profession, while the new age comes with some serious demands for the profession. Although on-line journalism is an expression of modern technology and the new age, the future and quality of the profession still depend on the respect and application of the fundamental values of the profession. 

/ 1968

THE CHILD AND TELEVISION