/ 1968

MUSEUM POLICY IN SERBIA: FORMATION, CRISIS AND A NEW BEGINNING

Since the foundation of the Museum of Serbia 1844, a century and a half passed, filled with constant changes conditioned by the discontinuity of the political status of Serbia that directly affected the historical development of cultural policy, and consequently the development of museums, museum activities and museum network. The aim of this work is to present the historical development of museums in Serbia in relation to current models of cultural policy. After a chapter with a chronological overview of the origin and development of the first museums in the territory of Serbia, follows a part showing the expansion of museums that occured in the first decades after World War II, which had its ideological imperatives. Then a period of stagnation came, as a prelude to the crisis of the museum during the 1990s, which was among the elements of general crisis. The final chapter points out the dilemmas of a new beginning in the development of the museum in the first decade of the 21st century. This work basically presents a kind of summary of the chapter Museum Policy in Serbia – a historical overview of the author’s doctoral dissertation „Management of Regional Museums in Serbia“, with special emphasis on the organization of cultural tourism potentials (dissertation in preparation, reported at the Faculty of Drama Arts, University of Art, Belgrade, supervisor. Prof. Dr Vesna Đukić).

/ 1968

SUBJECTIVITY, EXISTENCE AND STRUCTURE: ON MARIĆ’S EARLY RECEPTION OF FOUCAULT’S STRUCTURALISM

This paper reconsiders some aspects of the treatment of structuralism by Sreten Marić in his introductory essay to the Serbo-Croat translation of Foucault’s classic work The Order of Things (“Existential Fundamentals of Structuralism”, 1971). The central topics of this treatment are grouped and analyzed under three principal titles, corresponding to Marić’s discussion of the then-fashionable thesis of the death of Man, to his scrutiny of the leading role of linguistics as a future paradigm for social sciences, as well as to his reflection on the limits of structuralism. It seems noteworthy that this early examination of the Foucault’s structuralism may be considered as an anticipation of further development of this author, which would eventually lead him back, in his last books, to the complex of questions concerning the philosophical status of subjectivity.

/ 1968

THE PHENOMENA OF TELEVISION

/ 1968

THE PHENOMENA OF TELEVISION

/ 1968

MEDIA CULTURE AND TERRORISM: SYMBIOSIS OF MEDIA AND DECONSTRUCTION

У раду се бавимо односима између медијске културе, деструкције и терора. Анализирали смо однос медија и недржавног, као и државног терора, и тактике преко којих и једни и други, услед велике моћи медија, промовишу своје интересе. Такође смо уочили и све већу потребу медија за спектакуларним и деструктивним садржајима, што чини услове за симбиозу медија и деструкције. Писали смо и о холивудској филмској индустрији, као важној парадигми у креирању глобалне медијске културе, и о њеном деловању у стварању подстицајног модела који карактерише империјална логика и пропагандни карактер.

/ 1968

ART VS. ART: PROBLEMS OF USE AND ABUSE OF ART IN THE WORLD OF SPECTACLE

The paper deals with the issue of use and abuse of art in the society of spectacle. If accepted that we are living in the world of simulation, surrounded by the “terror” of media images which, for their turn, define social relations, inevitably arouses the question of art and its place in such a society. On the one hand, the dominant system uses creativity of artists-technicians who by cutting, propaganda and other forms of design (industrial, graphic, web, etc.) promote dominant values and enforce hegemony; on the other hand, the art, as we understand it, should firmly stand against the doxa and by critique, irony, subversion and paradox be a space of free expression of citizens and society.

/ 1968

STAR SYSTEM TODAY

/ 1968

SCREEN CULTURE (INTRODUCTION)