Текстови објављени у часопису Култура на српском накнадно преведени на стране језике Архиве - Page 187 of 270

Основни циљ овог истраживања јесте да се покаже да првобитни синкретизам различитих уметности представља дубље исходиште како фолклорних, тако и литерарно–сценских форми, али и од њих насталих филмских облика. Он омогућава, као што је радом демонстрирано, да песме певане у филму делују природно и остварују семантичку повезаност с приказаним дешавањима. Од свих филмских жанрова у којима се може наћи песма, највећу виталност има мјузикл, као аморфна форма велике апсорпционе моћи која може да укључује различиту врсту музике. Стога, у филмовима где се појављује, песма постаје значајан садржајни и структурни чинилац.

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VLADIMIR PETRIĆ: THE DEVELOPMENT OF FILM GENRES

26. July 2018./in Film, Reviews /by Kcs21blAA

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INTELLECTUAL DRAMA OF EUROPEAN LIBERALISM

26. July 2018./in Reviews /by Kcs21blAA

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CULTURAL MACHINE: GENERALL SERVICE

26. July 2018./in Reviews /by Kcs21blAA

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IMPORTANCE OF BOSCOVICH’S THEORY OF NATURAL PHILOSOPHY FOR MODERN SCIENCE AND PHILOSOPHY

26. July 2018./in Serbian Philosophic Culture /by Kcs21blAA

Boscovich’ theory of natural philosophy, published in 1758, made a great influence on his peers and had plenty of followers in centuries to come. It contributed to the discovery of atomic structure and inspired many scientists to work on further advancements of modern material structure comprehensions. In 1993, the physicist Leon Ledermann, a Nobel Prize laureate, wrote that “Boscovich’s philosophy is a key for the entire modern physics”. German philosopher Nietzsche regarded Boscovich’s theory “the greatest triumph over the senses that has yet been achieved on earth”. Frenchman Herismann believed that “the entire Boscovich’s philosophy will become a philosophy of the 21st century”. This article includes a presentation of Boscovich’s life and activities, description of his philosophy as well as its contributions to modern science and philosophy.

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THE ART OF EXPERIENCE AND THE EXPERIENCE OF ART

26. July 2018./in Critiques /by Kcs21blAA

/ 1968

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REALITY PROGRAMMES: LEVELLING OF PUBLIC AND PRIVATE DISCOURSE IN THE MEDIA

26. July 2018./in Philosophy of Media /by Kcs21blAA

Common to all formats of reality shows broadcasted in Serbia (Farm, Palace, Survivor, Big Brother VIP …) is their identification of public and private discourse in the real-time of the “story” (dijegetic time, in contrast to film time). The paper analyzes the corpus of the third season of Farm on TV PINK. Material is consisted of 7 day reviews: Sunday 28, Monday 29, Tuesday 30, November and Wendesday 1, Thursday 2, Friday 3, and Saturday 4 of December 2010; or the 76th, the 77th, the 78th, the 79th, the 80th, 81st and the 82nd day of the third broadcast cycle of the Farm on TV Pink. The aim was to observe the discourse strategies which in television broadcast void the boundary between private and public discourse, delivering the public content of reality shows to the viewers’ private domain. The audience is thus placed in the position of consumer of a mass media content bereft of any public interest element, which is not meant to be a media spectacle. Its aim is to deconstruct the implicit message this discourse delivers to its numerous audience, and put themselves into the context of professional ethical code of journalists.

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