/ 1968
LOCAL DIGITAL LIBRARIES
/in E-Libraries /by Kcs21blAAWe can define local digital libraries or Digital Libraries of Local Heritage as complete and organized historical and biographical information and cultural heritage of a certain geographical region in digital form. These usually derive from the Local History Collections selected materials, which are digitized or born-digital. This paper is investigating the relationship between local cultural heritage, as a whole cultural heritage of particular geographical region and time period, with digitization and digital libraries. Defining local digital libraries and the basic principles of creation and organization of digital collections, we are aiming to more precisely appoint their position towards other digital libraries, archives or repositories, as well towards the projects of mass digitization. The perspectives of local digital libraries usage is presented through discussion of various types of digital libraries of local heritage, and also through analyses of current digitization of local history collections kept in Serbian libraries.
/ 1968
ELECTRONIC MULTIMEDIA
/in Media and Culture /by Kcs21blAA / 1968
YUGOSLAV MAGAZINES IN THE PERIOD BETWEEN TWO WARS: STANDPOINTS OF THE BOURGEOIS ORDER AND THE COMMUNIST MOVEMENT
/in Cultural History /by Kcs21blAA / 1968
THE GREEN GRASS OF MY HOME
/in Forum /by Kcs21blAA / 1968
THE INTERNET AND AUTHENTICITY: CAN WE LOG-IN TO KIERKEGAARDIAN INDIVIDUALITY
/in Philosophy of Media /by Kcs21blAAWhat would Kierkegaard think of the internet? His critique of the press is surely well-known, as is his attempt to awaken authenticity in his contemporaries through his writing. Which one of these two tendencies would take presedence in his account of the internet? We will challenge Dreyfuss’ thesis that Kierkegaard would have hated the internet, arguing that the internet possesses possibilities of taking on what Dreyfuss calls “risky responsibility and obligations”, at least in as much as it is possible to take them on outside the internet. Finally, we will deploy a critique of that conception of cyber-obligations, which will at the same time be a critique of Kierkegaard’s conception of authenticity
/ 1968
ANTHROPOLOGY IN THE KEY OF LlTERATURE
/in Panel /by Kcs21blAA / 1968
WAR AGAINST CIVILIANS
/in Occasions /by Kcs21blAA / 1968
POSTIDENTITY AND THE AESTHETICS OF AFFECT IN THE WORK OF TANJA OSTOJIĆ
/in Decoding Image /by Kcs21blAATema rada je analiza savremenog umetničkog opusa Tanje Ostojić u odnosu na aspekte teorijskog rada Gilles Deleuzea i njegovo shvatanje identiteta. Rad Tanje Ostojić je istraživan u smislu veza koje ona uspostavlja sa različitim socio-kulturološkim pitanjima kao što su imigracija, problemi struktura vlasti u umetničkim i društvenim pojmovima, pol, kritike kapitalizma. Ostojićeva vešto upravlja tim, često spornim, idejama i stvara kompaktan umetnički izraz.
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