/ 1968

HAVE THE POOR A RIGHT TO CULTURE?

/ 1968

BUSINESS AND SEX

/ 1968

HEGEL’S DIALECTIC OF THE SPIRIT

/ 1968

OUR PUBLISHING GUERILLA

/ 1968

ECONOMIC EFFICIENCY AND DETERMINATION OF TYPES OF CREATIVE SECTOR DEVELOPMENT

The paper deals with characteristics of creative sector growth (and development) from the standpoint of economic efficiency of the engaged production factors. We are starting from the analysis of relevant literature that provides a variety of theoretical concepts of the creative sector and its structure. Distinguishing between types of growth (and development) was based on dynamics of labor productivity and capital efficiency.

/ 1968

NARRATOLOGY OF PAUL KLEE – THE VISUAL BETWEEN LITERATURE AND MUSIC

Paul Klee, had enriched his theoretical work and lectures with narratology in which the visual can be analyzed in close relation to literature and music. Klee expressed his narratology not only in his diaries and letters but also in his lectures where the specific aspects of the narrative where sought in between the textual and the visual. He built the narration by writing as well as reading, at the same time building his own self. In searching and seeking a narration that would be as precise as possible and expressed in adequate form, Klee reached for means offered by literature and music as the two fields that were familiar, and even to some degree, very close to him. As a matter of fact, Klee played the violin in his youth, read extensively and expressed a talent for writing, and being ambivalently inclined to both music and painting as his life calling, he could move between these two field freely, seeking in both of them expression of the visual. This movement resembles the movement of his lines which find adequate paths toward expression of his simultaneously liberated and precise nature.

/ 1968

ON ART GALLERIES

/ 1968

FILMSKE NOVOSTI

/ 1968

TOWARDS THE MANGEMENT OF PARTICIPATORY JOURNALISM: EXPERIENCES FROM THE NEWSROOM

In hyper-complex societies in which we live today, a growing question is whether the mass-media concept of the 20th century is still applicable to the contemporary moment. The media manipulation, spinning and commercialization distance media production from its audiences. At the same time, the flood of free web-based content creates new distribution channels and markets. This new economic and social context challenges media organizations to reconfigure their social role and (re)create relationships with their audiences. However, opening the gates for the transition of the people formerly known as the audience to the production side of the media sphere, can easily create a total confusion and chaos. The solution partly lies in the management of media participation. The aim of this research is to map and analyse various models of participatory journalism used by Serbian online media. In the qualitative research process, editors of four leading online media organizations shared their practices, experiences, struggles and opinions on the topic. Four models of management of participatory practice were mapped and analysed in detail. The most commonly used model is the commentary-based one, while the classical citizen journalism model still plays an important role. The research shows that more complex models – like the integration with social media and opening specialized media spaces for audiences – offer more freedom of expression to the audiences and create new audiences (and markets) for the media. However, these models are more demanding towards the audience as well, asking for more responsibility, skills and courage to communicate delicate matters. Finally, it is important to notice that every media is trying to find its own mix of practices and procedures, which will enable them to operate in a highly difficult economic and political situation for the media in Serbia of today.