/ 1968

BASIC LEGAL SOLUTIONS IN CULTURE – SERBIA, GERMANY, LITHUANIA AND GREECE

This paper deals with separate and common characteristics of the currently valid statutory laws in the field of culture in four European countries. Those are: Germany (one of the most developed countries in Europe and one of the leading member states of the European Union), Greece (also member of the EU, but in different economic position; specially important for the European cultural heritage), Lithuania (former Soviet Union member, since 90s fast approaching the EU standards, also those in cultural policy) and Serbia, a country in transition, with its economical, political and cultural characteristics and factors. The aim of the research was to compare cultural policies of the countries above, based on adopted laws and other legal instruments of cultural policy. The research included the Constitutions of the countries above, top and bottom regulations in culture, (non)regulated areas in culture and arts, economical and political characteristics etc., and a detailed comparative analysis thereof. It is noted that modernization and changes in laws in the area of culture were aiming (in case of Serbia – are aiming) to adjust legislation to the European standards. The scope, structure and periods when existing legislation has been adopted, reflect the political priorities, aims and direction, social atmosphere and economic situation of a particular country. Despite economical situation and political instability, improvement of the cultural legislation in Serbia exists, although compared to other three countries a certain delay is obvious. The central element of cultural legislation in Serbia is Law on Culture, that came into force in March 2010. The last part of the paper deals with international declarations and conventions with statutory characteristics, as much as with process and dates of their ratification in each country. Central source of material for this paper was international web archive of evaluation on cultural policies Compendium, realised by ERICArts Institute.

/ 1968

THE CONSUMER CULTURE

/ 1968

THE SOCIAL IN ART

/ 1968

BILLBORD AS AN INSTRUMENT OF THE URBAN SPECTACLE

Сложен однос града и спектакла, садејство иновативних технологија и савремених идеја (медијатектура), различити облици интерактивних урбаних екрана успостављају савремени град као експлицитну позорницу друштва спектакла. Билборд као простор који говори и једноставан облик хетерогене врсте спољашњих реклама, један је од најексплоатисанијих видова оглашавања у Србији. Поред детаљног приказа законске регулативе и историјског контекста, овај чланак има за циљ приказивање тренутне урбане сценографије у нас и подстицај за креирање складнијег окружења. Представљен је аргументован естетски вапај визуелног идентитета савремених градова, који поставља озбиљну дилему: да ли треба следити идеал града као центра знања, напретка и склада или хипермодерну идеју о вавилонској кули свеприсутних интерактивних екрана?

/ 1968

THE EXPANDED MISE EN SCENE 2: ON AUTHORS/ARTISTS

/ 1968

CLAUDE LEVI-STROSS AND THE CULTURAL SCIENCES

/ 1968

THE NEW CULTURE OF COMMUNICATION VIA MOBILE PHONES AMONG YOUNG PEOPLE

This paper presents results of an empirical research analysing aspects of mobile phone use among young people and its impact on everyday social life, communication and social interaction. The mobile phone cannot be reduced to a mere material object, a functional and practical product of global society, but it also has an important social and cultural dimension and needs to be studied systematically. The main focus of our theoretical and research efforts is the sociological and cultural phenomenon of the mobile phone use among young people, and its impact on everyday social life, social relations, patterns of activity, communication and interaction, emphasizing the relationship between the individual and mobile telephony. This paper examines creation of a new culture of communication where the phenomen is explained by texting, creation of new linguistic forms, emphasizing redefinition of traditional notions of time and place, creation of new spaces such as conversational space. It also considered concepts of the private and the public, in relation to notions of the socially acceptable and the unacceptable. The study was carried out using a structured questionnaire on a sample of 302 respondents in the target area of Split and the surrounding places. The field phase of the research was conducted during May and June 2010. Young people were selected as the target research population because they are thought to be “pioneers” in the use of information and computer technologies. Information and communication technologies in general and mobile telephony in particular have become a youth technology. Young people are the largest group of consumers of mobile technology and are often considered to be pioneers in their adaption and evolution.

/ 1968

THE AMERICAN THEATRE AND THE CLASSICAL HERITAGE