SOCIOLOGY OF CULTURE: A CONTRIBUTION TO THE CONCEPTUAL HISTORY OF A DISCIPLINE
/in Themes /by Kcs21blAACULTURAL EUROPEAN INTEGRATIONS WITH A VIEW OF THE CULTURAL HERITAGE PRESERVATION COOPERATION BETWEEN SERBIA AND EU
/in Themes /by Kcs21blAAPeople from different EU memeber states may have different ideas on their cultural identity, affiliations and citizenship, but they all face the same question: How can different cultural identities co-exist on the basis of mutual respect and an active desire to live as one community – the very values that underlie the European ideal of peace and security. Culture has always been a fundamental part of the process of European integrations. Since 1992, the Treaty establishing the European Community has provided a legal basis specifically for activities concerning the preservation and enhancement of cultural heritage. In line with the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, ratified by all the Member States and by the EU, the new agenda for culture reinforces the cultural dimension as a vital element of EU external relations. This priority, inter alia, is accompanied by a number of measures: to pursue the political dialogue in the field of culture and promote cultural exchanges between the EU and third countries as well as to build on external relations to set up financial and technical support.
ON LAW AS A CULTURAL PHENOMENON
/in Themes /by Kcs21blAAKNOWLEDGE AND VALUES
/in Themes /by Kcs21blAAINDUSTRIALIZATION OF WORK AND WORKING CULTURE IN AMERICA 1815-1919
/in Subcultures, The Emergence of Working Class Culture /by Kcs21blAATHE AFFIRMATIVE CHARACTER OF CULTURE
/in Themes /by Kcs21blAAREPRESSIVE TOLERANCE
/in Themes /by Kcs21blAAART IN THE ONE-DIMENSIONAL SOCIETY
/in Art theory, Themes /by Kcs21blAACREATIVE SECTOR IN ECONOMIC STUDIES
/in Creative Sector - Outlines of a New Model of Development /by Kcs21blAAThe paper deals with the genesis of researches of creative sector, especially in the Anglo-Saxon countries. In the first part of paper, the author analyzed the chronology of the creative sector as an economic phenomenon in the U.S., including the socio-political context in which specific researches appeared, and the impact these studies had on the development of scientific disciplines and reflection on the creative sector. In the second part of the paper, the genesis of the creative sector in the UK, socio-economic context of researches as well as its effects on changing the role, importance and sense of creative sector in science are discussed. The aim of this paper is to present the basics of economic research sector, critical debates and phenomena associated with the area.
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