/ 1968

CHANGES IN RECREATIONAL ACTIVITIES WITHIN FAMILY

/ 1968

NEW MEDIA IMAGE AND PERFORMING ARTS: FORMS OF INTERACTION

The work deals with forms of interaction between performing and screen image, and the role of new media in the post-drama theatre. In the context of electronic representation and reproduction of performing arts, mostly reducable to translation into the screen image, I analysed the screen phenomenon, its genealogy and position related to spectator’s and performer’s body. Taking performance studies as theoretical starting point, and remaing within the framework of the post-drama and screen theory discourse, I discuss possible models of interaction between the new media image and performance in the sphere of theatre, performance and video instalation. A special attention is devoted to the analysis of relation of screen image and performer’s body, where the present body becomes the final destination, and fascination with the living body entails desire for something beyond appearance. In that contexts I deal with the issue of ethic foundations of the media/screen culture universe in its relation to performing arts, pointing to processes through which the use of media technologies in performing arts results in simultaneity and introduction of uncertainty into the reality status of the performed.

/ 1968

NOAM CHOMSKY: GRAMMAR AND REASON

/ 1968

UNIVERSITY FACES CLOSING

/ 1968

CULTURE AS A SEGMENT OF THE PROGRAM OF TV BELGRADE – PUBLIC MEDIA SERVICE OF SERBIA

Since 2006, when Radio Television of Serbia has started the process of transformation into a public media service of Serbia, the Belgrade Television has set program requirements specific to high public service standards. This paper analyzes its cultural program as an indicator of how successful this process of transformation into a public media service has been, since this program is relevant to the dissemination of knowledge and realization of the educational function of the media as well as for the preservation of cultural heritage and cultural identity of our nation. For more than half a century Radio Television of Serbia has nurtured this kind of program schemes and has set valuable standards in the author’s approach as well as production. The aim of this paper is to determine the place and role of contents dedicated to culture on Belgrade Television. The premise is that cultural topics have not been devoted enough space on Belgrade Television. It seems that the concept of “Cultural and educational program” does not offer the ideal solution and that culture itself, being one of numerous contents is on the margins.

/ 1968

MEDITATIONS ON SPACE POLICY

/ 1968

L’ART ET LES SYSTEMES DE COMMUNICATION

/ 1968

THE TRANSFORMATION OF THE WRITER’S ROLE

/ 1968

CREATIVE SECTOR AS A DEVELOPMENT FACTOR OF THE SOCIETY IN NEW MILLENIUM

Cultural sector has become an important partner in the countries’ economical growth. Creative sector, creativity, culture and arts are becoming more important in the new millennium (2009 was named “Year of creativity” in the EU). In the IT age the accent was placed on logical, linear, transparently organized thinking and action, classic left–brain traits. In the dawning of the Conceptual age, right–brain qualities will be more valuable: inventiveness, creativity, empathy, all these attributes of culture and arts. The strength of the creative sector lies in its using of not only metropolitan cultural potentials, but especially those of local communities in order to improve their economical growth and development. Thus the development of cultural tourism, especially the festival (event) tourism, has to be supported by the wide cultural community, and by the state itself, because strong culture and arts are something that can represent us very successfully in the global world market.

/ 1968

RETHINKING ESTHETICS