/ 1968

BOOK STOCK AND READERS’ NEEDS

/ 1968

SOUTH SLAV-HUNGARIAN LITERARY CONTACTS

/ 1968

IMPACT OF WORLD ECONOMIC CRISIS ON THE MEDIA DIGITALIZATION IN SERBIA

This paper presents a brief overview of the situation with the domestic public service broadcasting, with reference to its past and future development trends. In this paper, a special emphasis is given to the process of media digitalization in Serbia. Due to the negative effects of the global economic crisis, we will try to clarify how and under what financial conditions, the Serbian public service broadcasting sector plans to carry out the digitization process. Having in mind the low standard of living in Serbia, the paper will be focused on the expenditures of the Republic of Serbia (as well as the financial cost to citizens) in the transition to digital signal. The digitalization process in Serbia will be financed by international financial institutions, while the national government will provide financial help only to the socially underprivileged population. Digitalization should be concerned as a long term investment that will improve operations of the domestic media sector. In Europe, the digitalization process is far ahead (in a more advanced stage). In comparison to EU and CEE countries, the digitalization process in Serbia is in delay.

/ 1968

AUDIENCE LISTENING FOLK, BUT KEEPING SILENT ABOUT IT

/ 1968

ESTETICS OF PHOTOGRAPHY, LOSS AND REMNATS

/ 1968

STEREOTYPES IN SERBIAN TV COMMERCIALS

The article is conceived as a metatext that identifies stereotypes in the local commercials industry and interprets them as a possible reflection of the late capitalism ideology. The chosen commercial stereotypes I consider here as a symbolic representations, based on “active process of selection, presentation, structuring and shaping”. Understood as idea and value, ideology supports basic elements of one’s identity operating with stereotypes, which for their part “narrow, condense, simplify” these elements. The aim was to map concrete individual stereotypes, and in the same time investigate whether stereotypes in commercials are also collective themes, i.e. social processes. I tried to establish a theoretical platform for understanding intentions underlying potential creation of a social tissue, which will eventually suggest a more consistent and ethically more desirable representation.

/ 1968

PRODUCT AND PROGRESS IN ARTISTIC CREATIVITY

/ 1968

ANARCHISM AND AMERICAN COUNTER-CULTURE

/ 1968

CREATIVITY AND AESTHETICS