PARALLEL CULTURE: HISTORY OF THE WORKING CLASS CULTURE IN FRANCE
/in Subcultures, The Emergence of Working Class Culture /by Kcs21blAATHE LAST YEARS OF GYÖRGY LUKÁCS
/in Cultural History, Themes /by Kcs21blAACROATIAN JOURNALISM OF TRANSITION: THE TEST OF MATURITY AT THE BEGINNINGS OF THE DIGITAL AGE
/in Contemporary Journalism - Trends, Dilemmas and Challenges /by Kcs21blAAThe journalistic profession may find itself faced with a new challenge at the beginning of the digital age. During the last two decades, since the establishment of the Republic of Croatia and the beginning of the process of transition, journalism has significantly affected the sociopolitical context, but has also itself been formed by the political and social circumstances. The elements that primarily effect the process of the transition of profession are media policy, market conditions, the legislative model of public service, self-regulation, safety of journalists, education of journalists, civil society and the availability of new technologies. This paper, in the context of those parameters, views Croatian transition journalism through four chronological phases of development: journalism of the authoritarian presidential state and non-consolidated democracy, journalism under the optimism of the rise of civil society, journalism of market dictatorship and the corporative media industry and journalism of digital culture. Each phase meant progress in the development of democratic standards and freedom of profession, while the new age comes with some serious demands for the profession. Although on-line journalism is an expression of modern technology and the new age, the future and quality of the profession still depend on the respect and application of the fundamental values of the profession.
THE CHILD AND TELEVISION
/in Television Today /by Kcs21blAAFILM SPECTACLE AS DISCOVERY OF THE OTHER
/in Cultures of Rhythms and Spectacle /by Kcs21blAAThe text deals with film spectacle as a medium of meeting and construction of the other in the processes of cultural globalization. Kurosawa is seen as an author who created his films in the period between two epochs and in the space between two cultures, and in doing so, substantially modifies both. The article tends to show that nowadays the processes of mixing of different cultures are inevitable, that the tradition in any form of contemporary cultural creativity could not resist them, and that the technology as such crucially determines basic dimensions of this encounter. The view of film spectacle here is a positive one, i.e. it is seen as a medium facilitating intercultural language, and only after that, as a source of stereotypes and prejudices about the other. A special attention is given to the place and role of female characters in Kurosawa’s samurai movies, where they are interpreted as a subtext of an intercultural communication.
ABUSE OF WOMEN IN TELEVISION AND EXTERNAL ADVERTISEMENT
/in Decoding Image /by Kcs21blAAОвај рад обрађује актуелну и значајну тему тржишног комуницирања, и то онај аспект који се тиче огласа и оглашавања, посебно злоупотребе жена у том процесу. Жена је у огласима представљена на различите начине (стереотипно: супруга – мајка, домаћица или декоративно, као украсни предмет), често се акценат ставља само на поједине делове њеног тела, што можемо видети на сваком кораку, почевши од билборда до огласа у дневној и периодичној штампи, као и на телевизији. Тако се женско тело употребљава у најразличитије сврхе, а најешће без разлога, без икакве везе са производом: у огласима за пиво, аутомобилске гуме, аутомобиле. Кад оглашивачи немају бољи начин, али ни маште ни морала, своје производе најчешће продају уз слику лепог женског тела, иако ти исти производи нису намењени нежнијем полу.
TACITURNING, OBSTRUCTION, MARGINALIZATION: OBSTACLES ON THE ROAD TO WOMEN’S EXPERTISE PRACTICE
/in Women's Expertise Potential in Cultural Activities /by Kcs21blAAEver since the beginning of the 20th century the demographic fact has been that the number of women compared to men constantly rises, the result being women for a long time have been making for more than a half of total population. It is also true that in the past their legal position in comparison to men considerably improved (both in quontity and quality) to achieve equality in the 20th century. However, there is still a gap between the idea and its realization, formal and material right. Thus the woman of the 21st century remains – despite all declared rights, clear potentials, education and capacities – often marginalized, and her right to work obstructed on the political, economic or cultural sphere as well as in the expertise practice of any kind. In the best case, our society in transition, overburned by stereotypes, traditionalism and patriarchcal relations taciturns her achievements. The statistical data clearly show that women are still missing in the key decision-making positions, that they are less paid than men for the same job, but outnumber men in the NGOs which mostly entail voluntary i.e. unpaid and less influential work. In 106 years of the Beograd University there was only one female rector, and according to the 2006 data of the Federal Bureau of Statistics only 30% of the Beograd University academic community were women. A somewhat better situation is in cultural institutions where women are usually directors of libraries, schools, kindergardens, museums or social centers. But, on the other hand, of 19 Beograd theaters, women are top executives in only six.
CULTURE IN THE ECONOMIC KEY: CULTURAL FOUNDATIONS OF THE NEW INTERNATIONAL ECONOMIC ORDER
/in Themes /by Kcs21blAAContact
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